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It has taken over 30 years, but the architectural artist Charles Rutherfoord and his accomplice Rupert Tyler accept assuredly acquired the aftermost bit of a south London abode that was already carved up into six flats
Charles Rutherfoord serves coffee and block from a argent tray in the cartoon allowance of his abode on one of south London’s loveliest streets. It is an affected allowance and Charles is an affected man. Roughly U-shape, this open-plan amplitude on the top attic works its way about a axial staircase. As with the blow of the abode that he shares with his accomplice Rupert Tyler, who works in finance, it has been advised and furnished with abundant care.
There are handsome pieces of eighteenth-century English appliance actuality – some collected, some inherited. A daybed advised by Charles is a avant-garde – but not too avant-garde – booty on the archetypal Knole style. The allowance itself, however, reflects added accepted architectural account surrounding the comedy of ablaze and breeze of space. The beam has been opened up to actualize a balustrade akin accomplished by ladder. Instead of architectural mouldings, there are adumbration gaps at the top of walls corrective a adumbration of beaming blue-grey.
Charles apprehend architectonics at Cambridge, area he enjoyed the admixture of architectural history and the advice of his babysitter David Wyn Roberts, a accepted modernist. Perhaps that is area the adorable astriction amid the classical and abreast that is axiomatic in abundant of Charles’s assignment aboriginal took root. He creates apartment for active in rather than for assuming off: ‘I like it that bodies may apprehension altered things in the architecture afterwards a while; they see the details.’ His access is rigorous: ‘It’s not as accessible as it looks.’
Despite actuality a purist of sorts, Charles is not abashed to add elements that are actually fun. Walking up the advanced path, I apprehension the window frames accept all been corrective gold and afterglow in the morning sunlight. Already in the hall, my eye is fatigued to a apricot blush carpeting on the stairs. Charles says it took four attempts at dyeing to accomplish the actual shade. To the appropriate of the stairs is his office, area he works with a baby team. Here, bustling out adjoin the accomplishments of a aphotic board appliance is a Regency rosewood armchair adipose in absolute the colour of amazon soup, which was already David Hicks’s board armchair in his abstraction at Britwell Salome. The abode boasts not one, but two alfresco showers.
Built in the 1870s, this abundant abode – alone and double-fronted – suffered the accepted abuse of actuality carved up into six flats. Over the accomplished 35 years, however, it has undergone a bit-by-bit reunification, which began anon afterwards Charles bought a collapsed on the aboriginal floor. ‘There was actually no adept plan to buy the blow of the house, or any added of it,’ he insists. But bit by bit, that is aloof what he and Rupert did.
A antecedent about-face of their active abode was featured in Abode & Garden in July 2004, afterwards they had reintegrated the aboriginal and additional floors. Aftermost year, Charles and Rupert bought the aloft arena attic – the final allotment of the puzzle. While one ancillary of this attic is acclimated as Charles’s office, the added is now a dining allowance at the advanced and a kitchen at the back. The rich, tobacco-coloured walls and academic adjustment of appliance and artwork in the dining allowance sits in abrupt adverse to the minimalist kitchen and its bank of sliding bottle doors.
These doors advance to a terrace overlooking the garden, which is article that has kept Charles and Rupert so absorbed to the abode over the years. It absolutely is magnificent, and in agreement of its admeasurement and its style, so abnormal for a London garden. Charles’s eyes ablaze up back he talks about it – alike capacity such as the new shelving in the greenhouse, area seedlings, succulents and subtropicals grow. Upstairs, the capital bath additionally has its own terrace that makes the best of this view.
For the accomplished seven years, he and Rupert accept alternate in the NGS Open Gardens arrangement (of which Rupert is a trustee), in which hundreds of visitors appear to see bags of tulips continuing alpine amid irises and timberline peonies. Charles refers to himself as a plantsman, preferring the bendable anatomy created through burying to the austere curve created through adamantine landscaping. It is absorbing that a artist whose interiors accept such a able geometry takes such a altered access to his garden designs. But it is addition adverse that works so well.
‘I am agog for audience to accept the spirit of what I do,’ he says. ‘There is a calmness to the work, which is an important allotment of it.’ He says it is difficult to abduction this in photographs, which is why he generally invites audience to visit. And although the Open Gardens programme is carefully outdoors, I anticipate those who do appointment ability still get a faculty of the artist and his work.
Charles Rutherfoord: charlesrutherfoord.net.
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